# Dungeon Crawler Carl and Ender's Game Pinball: Which Multimorphic Machine Wins? **Source:** Cary Hardy **Type:** video **Published:** 2026-07-27 **Duration:** 9m 49s **Beat:** Pinball **URL:** https://www.youtube.com/watch?v=BXiqPpmIbE0 --- ## Analysis Cary Hardy provides an early hands-on review of Multimorphic's simultaneous launch of two new P3 modules: Dungeon Crawler Carl and Ender's Game, both based on literary properties rather than film/TV licenses. He highlights the innovative Disc of Insanity rotating playfield centerpiece in Dungeon Crawler Carl and the emotional, dual-mechanic (compassion vs. hatred) design of Ender's Game, ultimately preferring the latter despite acknowledging both games represent ambitious engineering and novel-based IP experimentation for the pinball industry. ### Key Claims - [HIGH] This is the most ambitious launch that Multimorphic has done to date, releasing two games simultaneously with never-before-seen technology, themes, and mechanical ideas in pinball — _Cary Hardy, opening statement of video_ - [HIGH] No pinball machine has been based on a book before; Dune was based on the movies, not the book — _Cary Hardy, explaining novel-based IP precedent_ - [HIGH] The Disc of Insanity is a rotating mini-playfield that functions as both a toy and integral gameplay element, featuring a slingshot, multiple targets, scoop, ball launcher, and ball path — _Cary Hardy, detailed mechanical description of Dungeon Crawler Carl centerpiece_ - [HIGH] Dungeon Crawler Carl code is early-stage and lacks full narration, sound effects, feedback, and objective guidance, but these are planned improvements — _Cary Hardy, post-demo conversation with Jerry (Multimorphic developer)_ - [HIGH] Ender's Game features a compassion vs. hatred emotional balance mechanic that dynamically adjusts code and scoring based on player choices — _Cary Hardy, explaining Ender's Game rule design philosophy_ - [HIGH] Cary Hardy prefers Ender's Game over Dungeon Crawler Carl due to smoother flow and more natural shot connection — _Cary Hardy, personal preference statement_ - [MEDIUM] Book-based pinball themes are a commercial gamble and not instantly recognizable like film licenses (Jurassic Park, Jaws) — _Cary Hardy, risk assessment of novel IP strategy_ - [HIGH] The dungeon structure lighting on Dungeon Crawler Carl blocks lower playfield visibility, which some players may love for atmosphere but Hardy would resolve with pin lights — _Cary Hardy, critical observation of lighting design trade-off_ ### Notable Quotes > "Holy Jesus. WHAT IS THAT? WHAT THE [***] IS THAT?" > — **Cary Hardy**, Opening description of Disc of Insanity > _Captures immediate visceral reaction to novel Disc of Insanity mechanical centerpiece; establishes wow factor of the design_ > "This isn't code that has been refined over a year. This is pretty early code, and you can absolutely feel that in places." > — **Cary Hardy**, Post-demo evaluation > _Sets expectations for both games as works-in-progress; contextualizes criticism as pre-release feedback rather than final product flaw_ > "None of my complaints were mechanical related. And Jerry told me those are exactly the kinds of things they plan to continue building out before these modules land in customers' homes." > — **Cary Hardy**, Mid-review assessment > _Distinguishes between fixable software issues and hardware constraints; signals Multimorphic has clear development roadmap_ > "After spending time on both of them, I actually prefer Ender's Game. Now, it may have simply been the machine that I was playing. Maybe the Disk of Insanity needed a slight adjustment on Dungeon Crawler Carl, but Ender's just clicked with me." > — **Cary Hardy**, Main preference reveal > _Central claim of video; hedges preference acknowledging DCC might improve with adjustment, maintaining credibility_ > "They're doing things with the P3 platform that simply aren't possible anywhere else." > — **Cary Hardy**, Closing commentary on technical achievement > _Frames both games as exclusive to P3 ecosystem; positions Multimorphic's modular platform as technical differentiator_ > "The easy route would have been a movie license. Instead, they tried something genuinely different." > — **Cary Hardy**, Risk assessment section > _Acknowledges Multimorphic's strategic boldness; positions novel-based IP as higher-risk, higher-reward differentiation strategy_ > "Dungeon Crawler Carl was more of a rock kind of like, yeah, bob your head to it type of an action type of game, and Ender's Game was more on the emotional level, where it was just I can't even explain it, but it was definitely more an emotional symphonic type of orchestration." > — **Cary Hardy**, Music and theme integration discussion > _Illustrates how sound design supports thematic differentiation between games; shows close attention to audio-visual cohesion_ ### Entities | Name | Type | Context | |------|------|---------| | Cary Hardy | person | Content creator and pinball enthusiast; primary speaker providing hands-on review of Multimorphic modules | | Multimorphic | company | Pinball machine manufacturer producing modular P3 platform games; launching Dungeon Crawler Carl and Ender's Game simultaneously | | Dungeon Crawler Carl | game | New Multimorphic P3 module based on literary property; features Disc of Insanity centerpiece and dungeon-themed gameplay | | Ender's Game | game | New Multimorphic P3 module based on Orson Scott Card novel; features emotional compassion vs. hatred dual-mechanic system | | P3 | product | Multimorphic's modular pinball platform enabling interchangeable game modules on same hardware base | | Disc of Insanity | product | Rotating mini-playfield centerpiece on Dungeon Crawler Carl; features slingshot, targets, scoop, launcher, and integrated ball path | | Jerry | person | Multimorphic developer who provided explanation and feedback to Cary Hardy during hands-on demo | | Dune | game | Referenced as comparison point; Barrels of Fun game based on film adaptation rather than original novel | | Jaws | game | Referenced as example of instantly recognizable film-licensed pinball theme | | Jurassic Park | game | Referenced as example of instantly recognizable film-licensed pinball theme | | Orson Scott Card | person | Author of Ender's Game novel series; literary property basis for Multimorphic module | ### Signals - **[announcement]** Multimorphic officially reveals simultaneous release of two P3 modules (Dungeon Crawler Carl and Ender's Game) in early playable form (confidence: high) — Cary Hardy states 'They have released not one but two modules on the same day, Dungeon Crawler Carl and Ender's Game. And honestly, this is the most ambitious launch that Multimorphic has done to date.' - **[design_innovation]** Introduction of Disc of Insanity (DOI) as unprecedented rotating mini-playfield with integrated slingshot, targets, scoop, launcher, and ball path (confidence: high) — Hardy describes DOI as 'practically an entire mini playfield by itself' with multiple integrated mechanics; 'rotates in a full 360°' and 'every time I thought I knew what it did, I noticed something else' - **[design_innovation]** Ender's Game features dual emotional state mechanic (compassion vs. hatred) that dynamically adjusts code, scoring, and gameplay based on player choices (confidence: high) — Hardy explains: 'you're battling between compassion and hatred. And that's all in between like the very center of the game where you're having to keep that balance because if you have too much compassion or too much hatred, the code is going to adjust accordingly and your scoring is all different' - **[design_innovation]** Multimorphic walls rise up during boss fights on Dungeon Crawler Carl, changing available shot selection dynamically during play (confidence: high) — Hardy notes: 'you've got the multimorphic walls that rise up during boss fights, changing your shot selection on the fly' - **[product_concern]** Dungeon Crawler Carl's dungeon structure aesthetics block lower playfield lighting, reducing visibility of shots; design choice creates thematic immersion at cost of clarity (confidence: high) — Hardy states: 'The dungeon structure looks fantastic. Seriously, it gives the game incredible depth, but it also blocks a lot of light from reaching the lower playfield. Some people are actually going to love this because it fits the dungeon atmosphere, but personally, I like seeing every shot clearly.' - **[code_update]** Dungeon Crawler Carl code is early-stage with planned additions of narration, sound effects, feedback, and objective guidance before customer delivery (confidence: high) — Hardy notes: 'This isn't code that has been refined over a year. This is pretty early code' and 'Jerry told me those are exactly the kinds of things they plan to continue building out before these modules land in customers' homes' - **[licensing_signal]** Multimorphic adopts literary property licensing (Dungeon Crawler Carl, Ender's Game) as differentiation strategy rather than pursuing film/TV licenses (confidence: high) — Hardy emphasizes: 'Themes based on novels are a gamble. And they're not instantly recognizable like Jurassic Park or Jaws. But, I really respect Multimorphic for taking the risk. The easy route would have been a movie license. Instead, they tried something genuinely different.' - **[market_signal]** Book-based pinball themes present commercial uncertainty compared to established film/TV IP; recognition factor and appeal are less guaranteed (confidence: medium) — Hardy states: 'Whether these games end up being a huge commercial success, I honestly do not know. Themes based on novels are a gamble. And they're not instantly recognizable like Jurassic Park or Jaws.' - **[gameplay_signal]** Ender's Game exhibits smoother shot flow and more natural ball routing compared to Dungeon Crawler Carl; code appears more refined (confidence: high) — Hardy compares: 'The flow felt smoother, the shots connected naturally. I found myself thinking less about aiming and more about playing. And I think the code on Ender's Game is further along as well.' - **[design_philosophy]** Both games employ distinct musical compositions aligned with thematic tone: Dungeon Crawler Carl uses rock/action music; Ender's Game uses emotional symphonic orchestration (confidence: high) — Hardy notes: 'Dungeon Crawler Carl was more of a rock kind of like, yeah, bob your head to it type of an action type of game, and Ender's Game was more on the emotional level...emotional symphonic type of orchestration' and 'I think that caters very well to the theme' - **[design_philosophy]** Book-based IP requires original asset creation rather than leveraging existing film/TV media; both games feature original artwork inspired by literary descriptions rather than existing visual media (confidence: high) — Hardy explains: 'One of the challenges with dealing with books as your main theme is that where's the assets? So, you kind of have to come up with the stuff' and notes Ender's Game art is 'creating what we are reading in the books...what you're seeing on the art package is kind of like the description from the books' - **[gameplay_signal]** Dungeon Crawler Carl designed to resist autopilot play through aggressive ball return and dynamic wall mechanics; playfield actively challenges player assumptions (confidence: high) — Hardy observes: 'The game is constantly trying to mess with you' and 'it launches very fast, and it's very close to your flippers' and 'it kind of like refuses to let you settle into autopilot' --- ## Transcript battle. Ladies and gentlemen, it is time for the main event. Are you ready? Go. >> What's up, guys, and welcome back to the channel. Today is the day that I finally get to show and tell all of you guys what Multimorphic has been working on behind the scenes. They have released not one but two modules on the same day, Dungeon Crawler Carl and Ender's Game. And honestly, this is the most ambitious launch that Multimorphic has done to date. Not just because they're releasing two games simultaneously, but because they're introducing technology, themes, and mechanical ideas that we've literally never seen in pinball before. And after spending time on both of them, I actually preferred one that I honestly didn't expect. Think about this for a second. We've seen movies, we've seen TV shows, we've seen comic books, we've seen bands, video games, but we haven't seen books implemented into a pinball machine. Now, I know some of you are going to be like, "Oh, you know, Carrie, there's Dune." But Dune was based on the pinball machine was based on the movies. It wasn't based on the book. The book was essentially the base for the movies, but you get what I'm saying. A pinball machine has not been based on book. Let alone two of them. Now, when you see these two games, obviously the big centerpiece, literally the big centerpiece for this game, is something they are calling the Disc of Insanity. So, I may refer to it as the DOI throughout this video. And when I first walked up to Dungeon Crawler Carl, I literally said, >> Holy Jesus. WHAT IS THAT? WHAT THE [***] IS THAT? >> AND I POINTED to the DIY. And it was one of those what does it do? What all is this thing here for kind of thing. It was a big mystery. I wanted to know what all it did. I mean, this isn't just decoration. It rotates in a full 360°. It's huge. And it's practically an entire mini playfield by itself. It has a slingshot, multiple targets, a scoop, a ball launcher, it redirects shots, it feeds different areas of the playfield, it can fire the ball back at you, and somehow they still managed to put a ball path on top of it. Every time I thought I knew what it did, I noticed something else. Now, the shots are smooth, but the game is constantly trying to mess with you. I mean, you'll hit the scoop, and it instead of it just politely giving the ball back to you, it fires it back. Almost too quickly in my opinion, because you better be on your toes because it launches very fast, and it's very close to your flippers. Then you've got the multimorphic walls that rise up during boss fights, changing your shot selection on the fly. It's one of those games that kind of like refuses to let you settle into autopilot. Now, here's where you need to remember what we're playing currently. This isn't code that has been refined over a year. This is pretty early code, and you can absolutely feel that in places. There were moments where I wanted more narration, more sound effects, more feedback, and and better guidance toward my next objective. But here's the encouraging part. None of my complaints were mechanical related. And Jerry told me those are exactly the kinds of things they plan to continue building out before these modules land in customers' homes. So, I walked away feeling a little bit more optimistic than concerned. Now, my biggest criticism that really can't be solved with software is the lighting. The dungeon structure looks fantastic. Seriously, it gives the game incredible depth, but it also blocks a lot of light from reaching the lower playfield. Some people are actually going to love this because it fits the dungeon atmosphere, but personally, I like seeing every shot clearly. So, if I own this machine, I would probably install pin lights just to make sure that that's no longer an issue for me. And then, just when I think I'd seen it all, Jerry's like, "Hey, come over here." And he literally pulls back the curtain, and there it is. Ender's Game. And I was not expecting this at all. I was expecting Dungeon Crawler Carl, but this was definitely a surprise. And after spending time on both of them, I actually prefer Ender's Game. Now, it may have simply been the machine that I was playing. Maybe the Disk of Insanity needed a slight adjustment on Dungeon Crawler Carl, but Ender's just clicked with me. The flow felt smoother, the shots connected naturally. I found myself thinking less about aiming and more about playing. And I think the code on Ender's Game is further along as well. I could be wrong, but to me, it felt further along. I mean, the music on both titles were good. Drastically different. Where Dungeon Crawler Carl was more of a rock kind of like, yeah, bob your head to it type of an action type of game, and Ender's Game was more on the emotional level, where it was just I can't even explain it, but it was definitely more an emotional symphonic type of orchestration. >> [music] [music] >> And I think that caters very well to the theme because Ender's Game is essentially going to be based upon emotions, whereas you're battling between compassion and hatred. And that's all in between like the very center of the game where you're having to keep that balance because if you have too much compassion or too much hatred, the code is going to adjust accordingly and your scoring is all different. Like I said, it's code that I'm still was still having to learn. I was only there for a matter of a few hours, so I can't really go into detail on the code. But definitely they explained the road map and how the game is going to function down the road. And I think for those of you that enjoy the Ender's Game books, this is something that you're probably going to really enjoy. Now, one of the challenges with dealing with books as your main theme is that where's the assets? So, you kind of have to come up with the stuff. But I think with Dungeon Crawler Carl, the the artist that does the the work for this particular machine, I'm guessing he's done Dungeon Crawler Carl artwork on other things. And I'm not, you know, I'm only halfway through the first book, guys. But from my perspective, the art for Dungeon Crawler Carl is awesome. Looks great. But so, if I think it looks great and from the feedback I'm reading online for those that have already seen what they have has been shown, I'm pretty sure everyone is agreeing that the art for Dungeon Crawler Carl is spot on. Now, when it comes to Ender's Game, this is where you kind of have to go, uh they basically are creating what we are reading in the books. So, what you're seeing on the art package is kind of like the description from the books when they're doing their battles and like virtual stuff and everything. If you've seen the movie, you kind of have a better idea of what I'm talking about. But, they have done a pretty damn good job with the art package on Ender's Game as well. I mean, both of these themes are like pretty damn different from one another. One of them is more sci-fi, while the other one is more of a fantasy type of thing. So, I think that's also going to be really good for them. With this particular launch, they're hitting multiple demographics. Now, whether these games end up being a huge commercial success, I honestly do not know. Themes based on novels are a gamble. And they're not instantly recognizable like Jurassic Park or Jaws. But, I really respect Multimorphic for taking the risk. The easy route would have been a movie license. Instead, they tried something genuinely different. And regardless of which theme you prefer, I think everyone can appreciate the engineering behind these modules. They're doing things with the P3 platform that simply aren't possible anywhere else. So, now I want to hear from you. If someone was to drop one of these games into your collection tomorrow, which one would you choose? Dungeon Crawler Carl or Ender's Game? Me personally, I'm leaning towards Ender's Game, but I could definitely see, as I progress further into the book series of Dungeon Crawler Carl, that DCC could win me over. Thanks for watching, guys, and stay tuned to the channel because more content is coming soon. _(Acquisition: supadata_caption, Enrichment: v5)_ --- *Exported from Journalist Tool on 2026-08-04 | Item ID: 107a2088-bace-4362-9030-72b678f82727*