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Hankin Pinball: Australia's only pinball manufacturer, David Hankin's five 1978–80 games, and the first licensed Star Wars machine.
David Hankin was the first and only pinball manufacturer in Australia, beginning in 1978 after being denied supply by Allied Leisure monopoly
high confidence · Stephen Smith recounts Hankin's founding motivation and status as Australia's sole manufacturer
Hankin produced exactly five pinball titles between 1978–1980 with approximately 1,300 total units
high confidence · Smith states production run figures for each game: Orbit 1 (200), FJ Holden (200), Howzat (350), Shark, Empire Strikes Back (350)
Empire Strikes Back was the first ever licensed Star Wars pinball machine, licensed directly by George Lucas
high confidence · Smith cites George Lucas writing back to David Hankin and granting license for just one machine as payment; license notation visible on back glass
David Hankin contacted George Lucas personally to secure the Star Wars license; Lucas agreed and requested only one Hankin machine in return
high confidence · Smith describes Lucas's personal response and minimal licensing fee arrangement
Mark Hamill came to Australia and approved the final design of the Empire Strikes Back pinball machine
medium confidence · Smith mentions Mark Hamill's involvement but does not provide documentation or dates
Empire Strikes Back was released in late 1980, after Space Invaders (spring 1980) and contemporaneous with Firepower
medium confidence · Audience member questions timing; Smith confirms late 1980 release and notes similarities with Firepower/Space Invaders were discussed collegially with designers
Hankin machines were not distributed overseas at the time; very few left Australia initially
high confidence · Smith explicitly states machines were for Australian sale only, explaining scarcity outside Australia
An estimated 40–50 Empire Strikes Back machines remain in the world; Smith knows of 12 owners who have contacted him
medium confidence · Smith's field outreach and personal estimates, corroborated by Australian Pinball Museum representative
“David who ran amusement centres and had their pinballs in his amusement centres, he wanted to buy the pinballs so rather than giving all the profits back to Leisure and Allied he wanted to have them themselves. They wouldn't sell him pinballs because they had the monopoly... So David in 1978 decided well if I can't buy them I'll make [them].”
Stephen Smith@ 4:58 — Explains the founding motivation and competitive pressure that led David Hankin to become Australia's sole pinball manufacturer
“What David did he just wrote to George Lucas personally and said hey George my name's David Hankin and i'd love to make a star wars pinball and George Lucas wrote back and said yeah good idea... George Lucas said oh no we won't have it like you can just have it because have it as long as i get one of the pinballs.”
Stephen Smith@ 12:16 — Reveals the remarkable licensing arrangement for the first Star Wars pinball, secured through direct personal outreach rather than corporate negotiation
“So Mark Hamill came over to Australia and actually helped with the final design, approved the final design. So it was a very, very Star Wars orientated machine.”
Stephen Smith@ 13:24 — Demonstrates high-level celebrity involvement in the game's design and approval process
“It was absolutely terrible. So nobody, so I couldn't, a lot of people were import machines to Australia, not many export pinballs. Well, nobody really, actually. Everybody I rang said, well, we've never done one. We don't want to do it.”
Stephen Smith@ 19:29 — Illustrates the logistical and operational challenges of exporting pinball machines internationally, with shipping costs tripling the original quote
“We've got new glass-pounding coated eggs. When people think about Hankin, they think, oh, it's just an Australian machine. It's probably very hard to keep going. It's not. Mike from Homepin was good friends with David, so he actually now reproduces the boards and the coils and everything else.”
business_signal: Allied Leisure's monopoly on pinball imports into Australia denied direct sales to Hankin, forcing him to manufacture instead; this competitive exclusion became founding catalyst for Australia's only domestic pinball manufacturer
high · Smith explains Hankin's motivation: 'if I can't buy them, I'll make them' response to monopoly refusal
event_signal: Stephen Smith conducted extensive community outreach across Australia collecting Hankin machines and documenting oral histories; fielded survey to locate surviving Empire Strikes Back units, identifying 12 owners and estimating 40–50 total survivors
high · Smith describes driving 3,500 miles collecting five machines and meeting owners; survey results cross-verified with Australian Pinball Museum
community_signal: David Hankin remains active in Australian pinball community 50+ years after founding company; strong personal relationships with manufacturers (Gary Stern, Mike HomePin) and ongoing support infrastructure
high · Smith's repeated meetings with Hankin; HomePin partnership for board/coil reproduction; Australian technicians available for repairs
design_philosophy: Hankin designs show rapid learning and improvement across five-game catalog (1978–1980); design philosophy emphasized incorporating local cultural themes (FJ Holden car, Dennis Lillie cricket, Australian sharks)
high · Smith ranks games by playability and notes dramatic improvement over two years; each game reflects Australian cultural touchstones
market_signal: Hankin Pinball correcting historical record: Empire Strikes Back recognition as first licensed Star Wars pinball was unknown/disputed until Smith's recent research and articles; initial skepticism from US collectors who believed it was bootleg
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HomePin (Mike) now reproduces Hankin boards and coils, and Australian technicians support machine repair
high confidence · Smith confirms HomePin's reproduction partnership and local support infrastructure
The shark pinball artwork was designed by a 19-year-old, son of a bank manager, with no prior pinball experience
high confidence · Smith describes the designer as a talented young artist recommended by the bank manager to Hankin
Stephen Smith@ 14:51 — Demonstrates modern support ecosystem enabling continued play and restoration of vintage Hankin machines
“Out of the five, by a long way, Empire. Absolutely long, followed by The Shark, followed by How's That, then followed by FJ and then The Orbit.”
Stephen Smith@ 22:21 — Reflects Smith's personal gameplay preferences and perception of design quality progression across Hankin's catalog
“The reason why he did Shark was if you looked at the original map of Australia that I showed, all of the capital cities are completely surrounded by water. So the whole of Australia, basically everybody in Australia lives somewhere on the water or not too far from the water, and thus the sharks.”
Stephen Smith@ 10:43 — Explains the thematic logic behind Shark's design, grounded in Australian geography and culture
“Dennis Lillie helped with the design of his own pinball machine and the cost of that for David was a Howzat pinball for Dennis.”
Stephen Smith@ 9:32 — Reveals informal, barter-based approach to celebrity licensing in early Australian pinball industry
high · Smith describes Kinecast article omission, initial US disbelief, and subsequent documentation of license on back glass
event_signal: Pinball Expo 2024 hosted first-ever public exhibition of all five original Hankin machines as a complete set, both in US and globally; one Empire Strikes Back machine auctioned at event
high · Smith states this is first time full set displayed; Empire on auction Saturday night; machines available for free play during expo
licensing_signal: Empire Strikes Back obtained first-ever licensed Star Wars pinball through direct personal outreach to George Lucas by David Hankin; extraordinary licensing terms (one machine as total payment) indicate casual, informal approach to IP licensing in early 1980s
high · Smith's account of Hankin writing directly to Lucas and receiving approval; license notation on back glass; Mark Hamill involvement in design approval
market_signal: Video game crash (1980–1982) completely halted pinball production industry in Australia; vast majority of machines destroyed/discarded; only estimated 40–50 Empire Strikes Back units survive of ~350 produced
high · Smith documents market collapse timing and survival rates; notes many machines were trashed over decades
community_signal: Shark machine artwork created by teenage bank manager's son (age 19) with no prior pinball experience; free-thinking approach yielded intricate, sophisticated artwork; theme chosen to represent Australian shark prevalence and coastal geography
high · Smith details 19-year-old designer's background and creative process; references intricate playfield and back glass artwork
announcement: New Australian-themed pinball games recently released: Bathurst 1000 (Ford and Holden versions) and King of the Mountain, continuing Hankin's legacy of domestically-produced Australian-themed machines
medium · Audience member mentions Bathurst 1000 and King of the Mountain machines in discussion; Smith confirms awareness but limited detail provided
product_strategy: Hankin machines' uniqueness lies in custom-designed boards, coils, and electrics; no mass-manufactured components; now reproducible through HomePin partnership ensuring long-term viability and repair support
high · Smith notes Hankin made 'his own boards, coils, electrics' and that HomePin 'reproduces the boards and coils and everything else'
supply_chain_signal: International pinball shipping presents extreme logistical challenges and cost overruns; no established Australian export infrastructure existed for pinball machines; shipping five machines cost 3x original quote and took nearly 4 months
high · Smith's detailed account of shipping logistics: no companies had experience, Grace Removals required container separation, dock fees in Cleveland, customs delays